NANO VII (2020)

 Nano VII

Description 

The contrast in the sections between electronic sounds and violin sound determines the basic architecture of Nano VII.

These two types of sounds of different nature merge in the middle of the piece and finally, the piece ends with a brief continuum made by the very rapid succession of small bits of audio clips.

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Title		Nano VII
Length		5:22
Composed Year		2020
General Description
		Nano VII is an electroacoustic composition. It is composed in 6 miniatures with recorded sounds and processed ones. The sound result created by the rapid succession of various sounds evokes a visual image like paintings made by the Dripping technique. Contrast is the key to building the piece. There are moments of sound oppositions: Between electronic sounds and violin sound Between diversity and homogeneity Between Dry and Wet of the reverberation Two different types of sounds merge in the middle of the piece and finally, the piece ends with a brief continuum made by the very rapid succession of small bits of audio clips.
Analysis
Main composition idea		Contrast
Sections		A1	B1	A2	B2	C	D
Minutes		00:00 - 00:36	00:36 - 01:42	01:42 - 02:49	02:49 - 04:05	04:05 - 04:56	04:56 - end
Mouvements		Fast	Moderato	Quite Fast	Slow	Very Slow	Very Fast
Dynamics		f	mp	f >	mf	mp >	mf > pp
Writing Density		High	Rather weak	High	Moderate	Fairly low to low	Very high
Major Timbre		Electronic Sound	Acoustic Sound	Electronic Sound	Acoustic Sound	Mixt	Electronic Sound
Basic organization		On diversity	On the homogeneity	On diversity	On the homogeneity	On diversity	On diversity
Reverberation		Rather Dry	Very Dry	Rather Dry	Wet	Little Bit Wet	Rather Dry
Events
	Type of writing	Continuum	Projection	Continuum	Projection	Projection	Continuum
	Contrast		Contrast in timbre		Contrast in timbre		Contrast in speed
	Surprise				From Wet to Dry then to Dry again		A speed incomparable to previous movements
Description		A long continuous musical line composed by the rapid succession of sound objects		A long continuous musical line composed by the rapid succession of sound objects			A long continuous musical line composed by the rapid succession of sound objects
		The richness in timbre diversity of sound objects		The richness in timbre diversity of sound objects			The richness in timbre diversity of sound objects
		Like Jackson Pollock's Paint Dripping Technique		Like Jackson Pollock's Paint Dripping Technique
			A violin sound marks the difference in timbre (sound of a musical instrument)
			The number of sound objects used is drastically reduced
					The proliferation in diversity
						Synthesis of all the rest by mixing all the elements of the previous parts
							A very blatant hearing
							CODA